コレクション展
2026年9月26日(土)~2027年3月28日(日)
同時開催 ムットーニコレクション
※混雑時入場制限あり
世田谷文学館 1階展示室
10:00~18:00
*展覧会入場、ミュージアムショップの営業は17:30まで
毎週月曜日(ただし月曜が祝休日の場合は開館し、翌平日休館)
年末年始(2026年12月28日~2027年1月4日)
館内整備期間(2027年2月15日~23日)
| 当日 | 割引 | |
|---|---|---|
| 一般 | 当日220円 | 割引180円 |
| 高校・大学生 | 当日170円 | 割引130円 |
| 65歳以上、小・中学生 | 当日110円 | 割引90円 |
| 障害者手帳をお持ちの方 (ただし大学生以下は無料) |
当日券・オンラインチケット110円 | 団体割引90円 |
*割引料金は20名以上での団体割引と「せたがやアーツカード」等の割引料金です
*窓口でのお支払いは、現金・クレジットカード・せたがやPayのご利用となります
*ほぼ全てのクレジットカードが利用可能ですが、スマートフォン等の非接触型ICカードや交通系ICカード、一部の電子マネーを除きます
*各種割引については、手帳など証明できるものをお持ちください
*障害者手帳をお持ちの方で大学生以下は無料になります
*障害者手帳をお持ちの方の介添え者(1名まで)は無料になります
*保護受給証明書をお持ちの方は無料になります
*世田谷区内在住・在学の小中学生は、土、日、祝日は無料になります
*企画展開催中は企画展のチケットの半券で、本展をご覧いただけます。混雑状況によって入場制限させていただくことがあります
*9月26日(土)は敬老の日として60歳以上無料
*10月9日(金)、2027年3月12日(金)は65歳以上無料
*11月28日(土)、29日(日)は催事のため入場無料
*11月6日(金)は夜間特別開館として20:00まで開館
株式会社 宇野千代
世田谷区、公益財団法人せたがや文化財団 世田谷文学館
世田谷区教育委員会
『色ざんげ』『おはん』『生きて行く私』など、現代を生きる私たちの道標ともなる数々の名作を残した作家・宇野千代(うの・ちよ1897-1996)。
本年度のコレクション展は、2023年度に世田谷文学館に寄贈された宇野千代旧蔵の新資料を前期・後期に分け、年間を通して紹介します。後期となる本展「宇野千代展―わたしと生きて行く私―」では、諸作品の直筆原稿や草稿をはじめ、友人との書簡、デザインした着物や身の回りの愛用品などを通して、昭和22年から平成8年に生涯を閉じるまでの後半生にスポットを当てます。
隆盛を極めたスタイル社の倒産や北原武夫との別れなど、前半生につづき、波乱の人生を歩む宇野千代ですが、一方で代表作「おはん」の完成や「薄墨の桜」「八重山の雪」の執筆など作家としての円熟期を迎えます。昭和57年(84歳)の新聞連載「生きて行く私」はこれまでの人生を回想した自伝的作品で、翌年刊行されるとベストセラーとなりました。
「色ざんげ」の自筆原稿や、東郷青児から宇野千代に宛てた書簡、北原との中国旅行で記された日記、日本初のファッション誌として記録的な売り上げを見せた雑誌「スタイル」のほか、宇野のデザインによる旧蔵の着物など、多彩な資料を一堂に展示。世田谷文学館の新たなコレクションの核となる資料を総覧いたします。
「私何だか死なないような気がするんですよ」と色紙にも書き残すように、宇野千代はつねに前向きな姿勢で進みつづける幸福の探求者でした。作家活動のほか、着物のデザイナーなど多方面でも晩年まで精力的に活躍した作家の軌跡を辿りながら、その人柄や生活もあわせて紹介します。
Collection Exhibition
Setagaya Literary Museum Collection Exhibition – Part II
Chiyo Uno: 30 Years After Her Passing
— Me and the Me That Will Go On Living—
Saturday, September 26, 2026 to Sunday, March 28, 2027
Venue
1st Floor Exhibition Room, Setagaya Literary Museum
Opening hours
10:00 a.m. to 6:00 p.m.
*Exhibition admission and the museum shop are open until 5:30 p.m.
*However, on Friday, November 6 only, the museum will remain open until 8:00 p.m.
Closed
Mondays (Or the next non-holiday weekday if Monday is a holiday.)
Year-End and New Year holidays (December 28, 2026 to January 4, 2027)
Facility maintenance period (February 15 to 23, 2027)
| Same-day | Discount | |
|---|---|---|
| Adults | Same-day¥220 | Discount¥180 |
| High school students / University students | Same-day¥170 | Discount¥130 |
| Ages 65 and over / Elementary and junior high school students | Same-day¥110 | Discount¥90 |
| Disability certificate holders (However, free for university students and younger) |
Same-day¥110 | Discount¥90 |
* Discounts are available for groups of 20 or more people, as well as for holders of the Setagaya Arts Card and other eligible discount cards.
* Payment at the reception desk is accepted in cash, credit card, and Setagaya Pay.
* Most credit cards are accepted. However, smartphone-based contactless IC cards, transportation IC cards, and some forms of e-money are not accepted.
* Please bring the appropriate documentation to receive each discount.
* Free admission for Disability Certificate holders of university age or younger.
* Free admission for up to one person accompanying a Disability Certificate holder.
* Free admission for visitors who present a Certificate of Public Assistance Eligibility.
* Free admission for elementary and junior high school students residing or studying in Setagaya City on Saturdays, Sundays, and holidays.
* During the special exhibition, admission to this exhibition is included with your special exhibition ticket stub. Entry may be restricted depending on visitor numbers.
* Free admission for visitors aged 60 and over on Saturday, September 26, in celebration of Respect for the Aged Day.
* Free admission for visitors aged 65 and over on Friday, October 9, and Friday, March 12, 2027.
* Free admission on Saturday, November 28, and Sunday, November 29, due to a special event.
* The museum will remain open until 8:00 p.m. on Friday, November 6, for a special evening opening.
Special Cooperation
Uno Chiyo Co., Ltd.
Organizer
Setagaya City / Setagaya Arts Foundation, Setagaya Literary Museum
Supporter
Setagaya City Board of Education
Concurrent Exhibition
Muttoni Collection
*Admission may be limited during busy periods.
Exhibition Overview
Chiyo Uno (1897–1996) was the author of numerous masterpieces—including Iro Zange, Ohan, and Ikite Iku Watashi—that continue to serve as guideposts for life today.
This year’s collection exhibition presents new materials from Chiyo Uno’s personal collection, donated to the Setagaya Literary Museum in FY2023, in two parts over the course of the year. Part II of the exhibition, Chiyo Uno: Me and the Me That Will Go On Living, focuses on the latter half of her life, from 1947 until her death in 1996, through materials including handwritten manuscripts and drafts of her works, letters exchanged with friends, kimonos she designed, and treasured personal belongings.
Chiyo Uno continued to lead an eventful life, marked by upheavals such as the bankruptcy of the once-thriving Style company and her separation from Takeo Kitahara. At the same time, however, she entered a period of maturity as a writer, completing her masterpiece Ohan and writing works such as Usuzumi no Sakura and Yaeyama no Yuki. Her newspaper serial Ikite Iku Watashi (I Will Go On Living), published in 1982 when she was 84, was an autobiographical work reflecting on her life up to that point. It was published as a book the following year and became a bestseller.
The exhibition features a rich variety of materials, including the handwritten manuscript of Iro Zange, letters she received from painter Seiji Togo, a diary kept during a trip to China with Takeo Kitahara, Japan's first fashion magazine Style, which achieved record-breaking sales, as well as kimonos she designed herself. Together, these works provide a comprehensive overview of the materials that form the centerpiece of the Setagaya Literary Museum’s newest collection.
Chiyo Uno was a seeker of happiness who always forged ahead with a positive outlook, as can be seen in comment she once wrote on a message board, “Somehow, I feel as though I will never die.” This exhibition also explores her personality and way of life, tracing her life and career as she remained energetically active in a wide range of fields until late in life, not only as a writer but also as a kimono designer.